{"id":5968,"date":"2018-01-09T09:49:06","date_gmt":"2018-01-09T08:49:06","guid":{"rendered":"https:\/\/www.cpaonline.es\/blog\/?p=5968"},"modified":"2020-03-26T13:25:44","modified_gmt":"2020-03-26T12:25:44","slug":"bauhaus-modernizacion-teatro-ii","status":"publish","type":"post","link":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/","title":{"rendered":"La Bauhaus: la modernizaci\u00f3n del teatro (II)"},"content":{"rendered":"<p style=\"text-align: justify;\">Tras el mando de Oskar Schlemmer, el Taller de <strong>Teatro de la Bauhaus<\/strong> se convirti\u00f3 en un <strong>taller de experimentaci\u00f3n en el que confluyeron<\/strong> otras disciplinas como la <strong>arquitectura<\/strong> y la <strong>moda<\/strong>. Estas nuevas confluencias quedaron recogidas en una de las publicaciones de la Bauhaus, <i>Die B\u00fchne im Bauhaus<\/i>. El n\u00famero fue redactado y editado por Oskar Schlemmer, L\u00e1szl\u00f3 Moholy-Nagy y Farkas Moln\u00e1r, y otorgaba gran relevancia a la arquitectura teatral.<\/p>\n<p style=\"text-align: justify;\">Justo en este mismo n\u00famero <strong>L\u00e1szl\u00f3 Moholy-Nagy formul\u00f3 los principios b\u00e1sicos del Teatro Total<\/strong>. Pero, \u00bfqu\u00e9 era el Teatro Total seg\u00fan Moholy-Nagy? Se trataba de una nueva concepci\u00f3n espacial din\u00e1mica-constructiva, es decir, el <strong>espacio entendido como punto de encuentro entre el arte y la t\u00e9cnica<\/strong>. Seg\u00fan Moholy-Nagy, el teatro no pod\u00eda ser \u00fanicamente un lugar subordinado a la representaci\u00f3n de un texto literario; el teatro deb\u00eda ser luz, forma, espacio y sonido. No s\u00f3lo eso, sino que Moholy-Nagy acompa\u00f1\u00f3 su texto de una serie de ilustraciones en las que suger\u00eda c\u00f3mo deb\u00eda hacerse esta renovaci\u00f3n.<\/p>\n<p><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/11_consemueller-equilibristik.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5974 aligncenter\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/11_consemueller-equilibristik-300x213.jpg\" alt=\"\" width=\"363\" height=\"258\" srcset=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/11_consemueller-equilibristik-300x213.jpg 300w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/11_consemueller-equilibristik-768x546.jpg 768w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/11_consemueller-equilibristik-1024x729.jpg 1024w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/11_consemueller-equilibristik.jpg 1920w\" sizes=\"auto, (max-width: 363px) 100vw, 363px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">\u00bfCu\u00e1les fueron las propuestas principales de Moholy-Nagy?<\/p>\n<ul style=\"text-align: justify;\">\n<li><strong>replanteamiento de la relaci\u00f3n escena-audiotorio<\/strong>: se rechaz\u00f3 el l\u00edmite que impon\u00eda el proscenio, as\u00ed como se rechaz\u00f3 tambi\u00e9n la estratificaci\u00f3n del auditorio por cuestiones econ\u00f3micas; esto supon\u00eda otorgar cierto protagonismo a un auditorio que siempre se hab\u00eda considerado pasivo<\/li>\n<li><strong>replanteamiento del teatro con la tecnolog\u00eda<\/strong>: el teatro deb\u00eda emplear todos los avances tecnol\u00f3gicos a su favor, como plataformas m\u00f3viles, superf\u00edcies giratorias, puentes e, incluso, pasarelas.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">De esta forma, el concepto de Teatro Total de Moholy-Nagy se aproximaba a otros espect\u00e1culos como el circo o el music-hall, as\u00ed como apostaba por ideas anteriormente defendidas por el dadaismo y el futurismo. Adem\u00e1s, este doble replanteamiento convert\u00eda al<strong> director de teatro<\/strong> en un <strong>investigador social y cultural.<\/strong><\/p>\n<p style=\"text-align: justify;\">Sin embargo, finalmente fue el proyecto de <strong>Ferenc Farkas Moln\u00e1r<\/strong> el que dio forma tanto a los planteamientos de Gropius como a las ideas te\u00f3ricas de Moholy-Nagy. Moln\u00e1r <strong>uni\u00f3 escena y auditorio con dos superficies de actuaci\u00f3n<\/strong>, lo que permit\u00eda que los actores se adentrasen en el auditorio y los espectadores en la escena. Este modelo recibi\u00f3 el nombre de U-Theater.<\/p>\n<p><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/c3450d927c1c2ccd79d28b90a4e3dcd4-slide-rule-bauhaus.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-5972 aligncenter\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/c3450d927c1c2ccd79d28b90a4e3dcd4-slide-rule-bauhaus-224x300.jpg\" alt=\"\" width=\"300\" height=\"401\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas, como la arquitectura.<\/p>\n","protected":false},"author":14,"featured_media":5976,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[948],"tags":[1971,1972,1975,1660,1970,1974,1973],"class_list":["post-5968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-escenicas","tag-arquitectura","tag-auditorio","tag-cpa-online","tag-escena","tag-escenografia","tag-master-en-espectaculos-en-vivo","tag-moholy-nagy"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.\" \/>\n\t<meta name=\"robots\" content=\"max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n\t<meta name=\"author\" content=\"Marina Hoyos\"\/>\n\t<meta name=\"keywords\" content=\"escenograf\u00eda,arquitectura,auditorio,escena,moholy-nagy,m\u00e1ster en espect\u00e1culos en vivo,cpa online\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/\" \/>\n\t\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.3\" \/>\n\t\t<meta property=\"og:locale\" content=\"es_ES\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Blog de CPA Online\" \/>\n\t\t<meta property=\"og:type\" content=\"activity\" \/>\n\t\t<meta property=\"og:title\" content=\"La Bauhaus: la modernizaci\u00f3n del teatro (II)\" \/>\n\t\t<meta property=\"og:description\" content=\"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/\" \/>\n\t\t<meta property=\"og:image\" content=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/large-iloveimg-resized.jpg\" \/>\n\t\t<meta property=\"og:image:secure_url\" content=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/large-iloveimg-resized.jpg\" \/>\n\t\t<meta property=\"og:image:width\" content=\"637\" \/>\n\t\t<meta property=\"og:image:height\" content=\"240\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary\" \/>\n\t\t<meta name=\"twitter:title\" content=\"La Bauhaus: la modernizaci\u00f3n del teatro (II)\" \/>\n\t\t<meta name=\"twitter:description\" content=\"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.\" \/>\n\t\t<meta name=\"twitter:image\" content=\"https:\/\/www.formacionaudiovisual.com\/wp-content\/uploads\/2018\/11\/imagen_twitter_blog_cpa.jpg\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#article\",\"name\":\"La Bauhaus: la modernizaci\\u00f3n del teatro (II) | Blog de CPA Online\",\"headline\":\"La Bauhaus: la modernizaci\\u00f3n del teatro (II)\",\"author\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/author\\\/marina-hoyos\\\/#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/#organization\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/12\\\/large-iloveimg-resized.jpg\",\"width\":637,\"height\":240},\"datePublished\":\"2018-01-09T09:49:06+01:00\",\"dateModified\":\"2020-03-26T13:25:44+01:00\",\"inLanguage\":\"es-ES\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#webpage\"},\"articleSection\":\"Artes Esc\\u00e9nicas, arquitectura, auditorio, CPA online, escena, escenograf\\u00eda, M\\u00e1ster en Espect\\u00e1culos en Vivo, Moholy-Nagy\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/#listItem\",\"name\":\"Artes Esc\\u00e9nicas\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/#listItem\",\"position\":2,\"name\":\"Artes Esc\\u00e9nicas\",\"item\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#listItem\",\"name\":\"La Bauhaus: la modernizaci\\u00f3n del teatro (II)\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#listItem\",\"position\":3,\"name\":\"La Bauhaus: la modernizaci\\u00f3n del teatro (II)\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/#listItem\",\"name\":\"Artes Esc\\u00e9nicas\"}}]},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/#organization\",\"name\":\"Blog de CPA Online\",\"url\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/author\\\/marina-hoyos\\\/#author\",\"url\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/author\\\/marina-hoyos\\\/\",\"name\":\"Marina Hoyos\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/ca66c63538533c2b76a69ed4a9ceef90be2af1991e1abea7e5076800aa2f61ae?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"Marina Hoyos\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#webpage\",\"url\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/\",\"name\":\"La Bauhaus: la modernizaci\\u00f3n del teatro (II) | Blog de CPA Online\",\"description\":\"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\\u00f3 en un taller de experimentaci\\u00f3n en el que confluyeron otras disciplinas.\",\"inLanguage\":\"es-ES\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#breadcrumblist\"},\"author\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/author\\\/marina-hoyos\\\/#author\"},\"creator\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/author\\\/marina-hoyos\\\/#author\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/12\\\/large-iloveimg-resized.jpg\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#mainImage\",\"width\":637,\"height\":240},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/artes-escenicas\\\/bauhaus-modernizacion-teatro-ii\\\/#mainImage\"},\"datePublished\":\"2018-01-09T09:49:06+01:00\",\"dateModified\":\"2020-03-26T13:25:44+01:00\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/\",\"name\":\"Blog de CPA Online\",\"inLanguage\":\"es-ES\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.cpaonline.es\\\/blog\\\/#organization\"}}]}\n\t\t<\/script>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"La Bauhaus: la modernizaci\u00f3n del teatro (II) | Blog de CPA Online","description":"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.","canonical_url":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/","robots":"max-snippet:-1, max-image-preview:large, max-video-preview:-1","keywords":"escenograf\u00eda,arquitectura,auditorio,escena,moholy-nagy,m\u00e1ster en espect\u00e1culos en vivo,cpa online","webmasterTools":{"miscellaneous":""},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#article","name":"La Bauhaus: la modernizaci\u00f3n del teatro (II) | Blog de CPA Online","headline":"La Bauhaus: la modernizaci\u00f3n del teatro (II)","author":{"@id":"https:\/\/www.cpaonline.es\/blog\/author\/marina-hoyos\/#author"},"publisher":{"@id":"https:\/\/www.cpaonline.es\/blog\/#organization"},"image":{"@type":"ImageObject","url":"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/large-iloveimg-resized.jpg","width":637,"height":240},"datePublished":"2018-01-09T09:49:06+01:00","dateModified":"2020-03-26T13:25:44+01:00","inLanguage":"es-ES","mainEntityOfPage":{"@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#webpage"},"isPartOf":{"@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#webpage"},"articleSection":"Artes Esc\u00e9nicas, arquitectura, auditorio, CPA online, escena, escenograf\u00eda, M\u00e1ster en Espect\u00e1culos en Vivo, Moholy-Nagy"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#breadcrumblist","itemListElement":[{"@type":"ListItem","@id":"https:\/\/www.cpaonline.es\/blog\/#listItem","position":1,"name":"Home","item":"https:\/\/www.cpaonline.es\/blog\/","nextItem":{"@type":"ListItem","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/#listItem","name":"Artes Esc\u00e9nicas"}},{"@type":"ListItem","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/#listItem","position":2,"name":"Artes Esc\u00e9nicas","item":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/","nextItem":{"@type":"ListItem","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#listItem","name":"La Bauhaus: la modernizaci\u00f3n del teatro (II)"},"previousItem":{"@type":"ListItem","@id":"https:\/\/www.cpaonline.es\/blog\/#listItem","name":"Home"}},{"@type":"ListItem","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#listItem","position":3,"name":"La Bauhaus: la modernizaci\u00f3n del teatro (II)","previousItem":{"@type":"ListItem","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/#listItem","name":"Artes Esc\u00e9nicas"}}]},{"@type":"Organization","@id":"https:\/\/www.cpaonline.es\/blog\/#organization","name":"Blog de CPA Online","url":"https:\/\/www.cpaonline.es\/blog\/"},{"@type":"Person","@id":"https:\/\/www.cpaonline.es\/blog\/author\/marina-hoyos\/#author","url":"https:\/\/www.cpaonline.es\/blog\/author\/marina-hoyos\/","name":"Marina Hoyos","image":{"@type":"ImageObject","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#authorImage","url":"https:\/\/secure.gravatar.com\/avatar\/ca66c63538533c2b76a69ed4a9ceef90be2af1991e1abea7e5076800aa2f61ae?s=96&d=mm&r=g","width":96,"height":96,"caption":"Marina Hoyos"}},{"@type":"WebPage","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#webpage","url":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/","name":"La Bauhaus: la modernizaci\u00f3n del teatro (II) | Blog de CPA Online","description":"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.","inLanguage":"es-ES","isPartOf":{"@id":"https:\/\/www.cpaonline.es\/blog\/#website"},"breadcrumb":{"@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#breadcrumblist"},"author":{"@id":"https:\/\/www.cpaonline.es\/blog\/author\/marina-hoyos\/#author"},"creator":{"@id":"https:\/\/www.cpaonline.es\/blog\/author\/marina-hoyos\/#author"},"image":{"@type":"ImageObject","url":"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/large-iloveimg-resized.jpg","@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#mainImage","width":637,"height":240},"primaryImageOfPage":{"@id":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/#mainImage"},"datePublished":"2018-01-09T09:49:06+01:00","dateModified":"2020-03-26T13:25:44+01:00"},{"@type":"WebSite","@id":"https:\/\/www.cpaonline.es\/blog\/#website","url":"https:\/\/www.cpaonline.es\/blog\/","name":"Blog de CPA Online","inLanguage":"es-ES","publisher":{"@id":"https:\/\/www.cpaonline.es\/blog\/#organization"}}]},"og:locale":"es_ES","og:site_name":"Blog de CPA Online","og:type":"activity","og:title":"La Bauhaus: la modernizaci\u00f3n del teatro (II)","og:description":"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.","og:url":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/","og:image":"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/large-iloveimg-resized.jpg","og:image:secure_url":"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/large-iloveimg-resized.jpg","og:image:width":637,"og:image:height":240,"twitter:card":"summary","twitter:title":"La Bauhaus: la modernizaci\u00f3n del teatro (II)","twitter:description":"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.","twitter:image":"https:\/\/www.formacionaudiovisual.com\/wp-content\/uploads\/2018\/11\/imagen_twitter_blog_cpa.jpg"},"aioseo_meta_data":{"post_id":"5968","title":"La Bauhaus: la modernizaci\u00f3n del teatro (II) | #site_title","description":"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.","keywords":[{"label":"escenograf\u00eda","value":"escenograf\u00eda"},{"label":"arquitectura","value":"arquitectura"},{"label":"auditorio","value":"auditorio"},{"label":"escena","value":"escena"},{"label":"Moholy-Nagy","value":"Moholy-Nagy"},{"label":"M\u00e1ster en Espect\u00e1culos en Vivo","value":"M\u00e1ster en Espect\u00e1culos en Vivo"},{"label":"CPA online","value":"CPA online"}],"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":"La Bauhaus: la modernizaci\u00f3n del teatro (II)","og_description":"Tras el mando de Schlemmer, el Taller de Teatro de la Bauhaus se convirti\u00f3 en un taller de experimentaci\u00f3n en el que confluyeron otras disciplinas.","og_object_type":"activity","og_image_type":"custom_image","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/12\/large-iloveimg-resized.jpg","og_image_custom_fields":null,"og_video":"","og_custom_url":null,"og_article_section":"","og_article_tags":"","twitter_use_og":false,"twitter_card":"summary","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"Article","isEnabled":true},"graphs":[]},"schema_type":null,"schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"location":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2020-12-22 08:23:18","updated":"2026-03-31 03:20:01","focus_keyword":null,"additional_keywords":null,"truseo_locale":null,"seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.cpaonline.es\/blog\/\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/\" title=\"Artes Esc\u00e9nicas\">Artes Esc\u00e9nicas<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tLa Bauhaus: la modernizaci\u00f3n del teatro (II)\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/www.cpaonline.es\/blog\/"},{"label":"Artes Esc\u00e9nicas","link":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/"},{"label":"La Bauhaus: la modernizaci\u00f3n del teatro (II)","link":"https:\/\/www.cpaonline.es\/blog\/artes-escenicas\/bauhaus-modernizacion-teatro-ii\/"}],"_links":{"self":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts\/5968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/comments?post=5968"}],"version-history":[{"count":14,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts\/5968\/revisions"}],"predecessor-version":[{"id":11667,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts\/5968\/revisions\/11667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/media\/5976"}],"wp:attachment":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/media?parent=5968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/categories?post=5968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/tags?post=5968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}