{"id":562,"date":"2014-06-05T09:45:45","date_gmt":"2014-06-05T07:45:45","guid":{"rendered":"https:\/\/www.cpaonline.es\/blog\/?p=562"},"modified":"2016-07-07T13:03:26","modified_gmt":"2016-07-07T11:03:26","slug":"filmoteca-nacional-programacion-de-junio-2014","status":"publish","type":"post","link":"https:\/\/www.cpaonline.es\/blog\/cine-y-tv\/filmoteca-nacional-programacion-de-junio-2014\/","title":{"rendered":"Filmoteca Espa\u00f1ola: programaci\u00f3n junio 2014"},"content":{"rendered":"<p style=\"text-align: justify;\">Este mes la <strong><a href=\"http:\/\/www.mcu.es\/cine\/MC\/FE\/index.html\" >Filmoteca Nacional<\/a><\/strong>, en sus instalaciones del <strong>Cine Dor\u00e9\u00a0<\/strong>en Madrid, ofrecer\u00e1 diferentes t\u00edtulos encuadrados en ocho ciclos<!--more-->, que repasar\u00e1n desde filmes de <a href=\"https:\/\/www.cpaonline.es\/blog\/cine-y-tv\/el-otro-cine-espanol\/\" ><strong>El Otro Cine Espa\u00f1ol<\/strong><\/a>, del <strong>cine japon\u00e9s<\/strong> o la filmograf\u00eda de <strong>Jean Renoir<\/strong>, entre otros. Adem\u00e1s de los ciclos, se exhibir\u00e1 el film <strong>Beat Street<\/strong> (Stan Lathan, 1984) para conmemorar su 30 aniversario, los cortometrajes <strong>El columpio<\/strong> (\u00c1lvaro Fern\u00e1ndez Armero, 1992);\u00a0<strong>La viga<\/strong> (Roberto L\u00e1zaro, 1996);\u00a0<strong>Pantalones<\/strong> (Ana Mart\u00ednez, 2000) y\u00a0<strong>Diez minutos<\/strong> (Alberto Ruiz Rojo, 2004) por motivo del 25 aniversario de la PNR (<a href=\"http:\/\/www.plataformanuevosrealizadores.com\/\" >Plataforma de Nuevos Realizadores<\/a>) y <strong>La l\u00ednea del cielo<\/strong> (Fernando Colomo, 1983) en la entrega de la Medalla de Honor del <a href=\"http:\/\/www.cinecec.com\/\" >C\u00edrculo de Escritores Cinematogr\u00e1ficos<\/a> a <strong>Fernando Colomo<\/strong>.\u00a0Adem\u00e1s se proyectar\u00e1n los filmes <strong>No Job Land<\/strong> (Gabriel Pecot, Olmo Calvo, Eva Filgueira, 2013) y\u00a0<strong>Regarde, elle a les yeux grand ouverts<\/strong> (Yann Le Masson, Commune de Aix, 1980) como presentaci\u00f3n de la <a href=\"http:\/\/lavapiesdecine.net\/\" >11\u00aa Muestra de Cine de Lavapi\u00e9s<\/a> y los cortometrajes <strong>Juan y la nube<\/strong> (Giovanni Maccelli, 2014);\u00a0<strong>Ficci\u00f3n<\/strong> (Miguel \u00c1ngel C\u00e1rcano, 2014);\u00a0<strong>Todo el futuro juntos<\/strong> (Pablo Rem\u00f3n, 2014);\u00a0<strong>Safari<\/strong> (Gerardo Herrero, 2014);\u00a0<strong>Soy tan feliz<\/strong> (Juan Gautier, 2014);\u00a0<strong>Elena Asins-G\u00e9nesis<\/strong> (\u00c1lvaro Gim\u00e9nez-Sarmiento, 2014);\u00a0<strong>Los invencibles<\/strong> (Javier Barbero y Mart\u00edn Guerra, 32014) y <strong>Pase privado<\/strong> (Natxo L\u00f3pez, 2014) con motivo de <a href=\"http:\/\/www.madridencorto.es\/\" >Madrid en Corto 2014<\/a>. Los filmes programados ser\u00e1n los siguientes:<\/p>\n<div id=\"attachment_575\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2014\/06\/Programaci\u00f3n-de-la-Filmoteca-Espa\u00f1ola-junio-2014.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-575\" class=\"size-medium wp-image-575\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2014\/06\/Programaci\u00f3n-de-la-Filmoteca-Espa\u00f1ola-junio-2014-300x102.jpg\" alt=\"Programaci\u00f3n de la Filmoteca Espa\u00f1ola junio 2014\" width=\"300\" height=\"102\" srcset=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2014\/06\/Programaci\u00f3n-de-la-Filmoteca-Espa\u00f1ola-junio-2014-300x102.jpg 300w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2014\/06\/Programaci\u00f3n-de-la-Filmoteca-Espa\u00f1ola-junio-2014-1024x349.jpg 1024w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2014\/06\/Programaci\u00f3n-de-la-Filmoteca-Espa\u00f1ola-junio-2014.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-575\" class=\"wp-caption-text\"><strong>Programaci\u00f3n de la Filmoteca Espa\u00f1ola junio 2014<\/strong><\/p><\/div>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Un impulso colectivo. Cine espa\u00f1ol para los nuevos tiempos (II)<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>Uranes<\/strong> (Chema Garc\u00eda Ibarra, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>La plaga<\/strong> (Neus Ball\u00fas, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>Edificio Espa\u00f1a<\/strong> (V\u00edctor Moreno, 2012)<\/p>\n<p style=\"text-align: justify;\"><strong>Los primeros d\u00edas<\/strong> (Juan Rayos, La Tristura, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>VidaExtra<\/strong> (Ramiro Ledo, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>Paradiso<\/strong> (Omar A. Razzak, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>Cenizas<\/strong> (Carlos Balbuena, 2014)<\/p>\n<p style=\"text-align: justify;\"><strong>Ilusi\u00f3n<\/strong> (Daniel Castro, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>Slimane<\/strong> (Jos\u00e9 A. Alay\u00f3n, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>1 para 1<\/strong> (Carolina Rivas y Daoud Sarhandi, 2013)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>A\u00f1o Dual: 36 directores japoneses (IV)<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>T\u00f4ky\u00f4 Monogatari<\/strong> (<strong>Cuentos de Tokio<\/strong>, Yasujiro Ozu, 1953)<\/p>\n<p style=\"text-align: justify;\"><strong>T\u00f4ky\u00f4 Kazoku<\/strong> (<strong>Una familia de Tokio<\/strong>, Yoji Yamada, 2013)<\/p>\n<p style=\"text-align: justify;\"><strong>Sesi\u00f3n conjunta: Kodakara sodo \/ Kid Commotion<\/strong> (Torajiro Saito, 1935);\u00a0<strong>O-Atsurae Jirokichi goshi \/ Jirokichi, The Rat Kid<\/strong> (Taisuke Ito, 1931)<\/p>\n<p style=\"text-align: justify;\"><strong>Biruma no Tategoto<\/strong> (<strong>El arpa birmana<\/strong>, Kon Ichikawa, 1956)<\/p>\n<p style=\"text-align: justify;\"><strong>The Book of Dead \/ Shisha no sho<\/strong> (Kihachiro Kawamoto, 2005)<\/p>\n<p style=\"text-align: justify;\"><strong>Akitsu Onsen\/Akitsu Spring<\/strong> (Kij\u00fb Yoshida, 1962)<\/p>\n<p style=\"text-align: justify;\"><strong>Midaregumo<\/strong> (<strong>Nubes dispersas<\/strong>, Mikio Naruse, 1967)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Jean Renoir (I)<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>La Fille de l&#8217;eau<\/strong> (Jean Renoir, 1924)<\/p>\n<p style=\"text-align: justify;\"><strong>Tire au flanc<\/strong> (Jean Renoir, 1929)<\/p>\n<p style=\"text-align: justify;\"><strong>1\u00aa Cortometrajes: Charleston ou Sur un air de Charleston<\/strong> (Jean Renoir, 1926);\u00a0<strong>La Petite Marchande d&#8217;allumettes<\/strong> (<strong>La cerillera, <\/strong>Jean Renoir, 1928);\u00a0<strong>La P&#8217;tite Lili<\/strong> (Alberto Cavalcanti, 1930);\u00a0<strong>On purge B\u00e9b\u00e9<\/strong> (Jean Renoir, 1931).<\/p>\n<p style=\"text-align: justify;\"><strong>Nana<\/strong> (Jean Renoir, 1926)<\/p>\n<p style=\"text-align: justify;\"><strong>La Chienne<\/strong> (<strong>La golfa<\/strong>, Jean Renoir, 1931)<\/p>\n<p style=\"text-align: justify;\"><strong>La Nuit du carrefour<\/strong> (Jean Renoir, 1932)<\/p>\n<p style=\"text-align: justify;\"><strong>Boudu sauv\u00e9 des eaux<\/strong> (Jean Renoir, 1932)<\/p>\n<p style=\"text-align: justify;\"><strong>Chotard et Cie<\/strong> (Jean Renoir, 1932)<\/p>\n<p style=\"text-align: justify;\"><strong>Le Crime de Monsieur Lange<\/strong> (Jean Renoir, 1935)<\/p>\n<p style=\"text-align: justify;\"><strong>2\u00aa Cortometrajes: Une partie de campagne<\/strong> (<strong>Una partida de campo<\/strong>, Jean Renoir, 1936);\u00a0<strong>Jean Renoir parle de son art<\/strong> (1961)<\/p>\n<p style=\"text-align: justify;\"><strong>La Grande Illusion<\/strong> (<strong>La gran ilusi\u00f3n<\/strong>, Jean Renoir, 1937)<\/p>\n<p style=\"text-align: justify;\"><strong>La Marseillaise<\/strong> (<strong>La marsellesa<\/strong>, Jean Renoir, 1937)<\/p>\n<p style=\"text-align: justify;\"><strong>La B\u00eate humaine<\/strong> (<strong>La bestia humana<\/strong>, Jean Renoir, 1938)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Festival de Cine Jud\u00edo de Barcelona<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>Lemale et ha&#8217;halal\/Fill the Void<\/strong> (<em>Lemale et ha&#8217;halal\/Fill the Void<\/em>, Rama Burshtein, 2012)<\/p>\n<p style=\"text-align: justify;\"><strong>W ciemno\u015bci\/In Darkness<\/strong> (Agnieszka Holland, 2011)<\/p>\n<p style=\"text-align: justify;\"><strong>Rock ba&#8217;Kasba\/Rock the Casbah<\/strong> (Yariv Horowitz, 2012)<\/p>\n<p style=\"text-align: justify;\"><strong>Kidon<\/strong> (Emmanuel Naccache, 2013)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Festival de Fado de Madrid<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>Fados<\/strong> (Carlos Saura, 2007)<\/p>\n<p style=\"text-align: justify;\"><strong>O Fado da Bia<\/strong> (Diogo Varela, 2012)<\/p>\n<p style=\"text-align: justify;\"><strong>Filme do desassossego<\/strong> (Jo\u00e3o Botelho, 2010)<\/p>\n<p style=\"text-align: justify;\"><strong>Fados<\/strong> (Carlos Saura, 2007)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Recuerdo de Alfredo Landa (y II)<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>La vaquilla<\/strong> (Luis G. Berlanga, 1985)<\/p>\n<p style=\"text-align: justify;\"><strong>Bandera negra<\/strong> (Pedro Olea, 1986)<\/p>\n<p style=\"text-align: justify;\"><strong>Sinatra<\/strong> (Francesc Betri\u00fa, 1988)<\/p>\n<p style=\"text-align: justify;\"><strong>El bosque animado<\/strong> (Jos\u00e9 Luis Cuerda, 1987)<\/p>\n<p style=\"text-align: justify;\"><strong>La marrana<\/strong> (Jos\u00e9 Luis Cuerda, 1992)<\/p>\n<p style=\"text-align: justify;\"><strong>El rey del r\u00edo<\/strong> (Manuel Guti\u00e9rrez Arag\u00f3n, 1995)<\/p>\n<p style=\"text-align: justify;\"><strong>La luz prodigiosa<\/strong> (Miguel Hermoso, 2002)<\/p>\n<p style=\"text-align: justify;\"><strong>Luz de domingo<\/strong> (Jos\u00e9 Luis Garci, 2007)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Centenario de Rafael Gil (y V)<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>Nada menos que todo un hombre<\/strong> (Rafael Gil, 1971)<\/p>\n<p style=\"text-align: justify;\"><strong>El sobre verde<\/strong> (Rafael Gil, 1971)<\/p>\n<p style=\"text-align: justify;\"><strong>Novios de la muerte<\/strong> (Rafael Gil, 1974)<\/p>\n<p style=\"text-align: justify;\"><strong>Los buenos d\u00edas perdidos<\/strong> (Rafael Gil, 1975)<\/p>\n<p style=\"text-align: justify;\"><strong>Olvida los tambores<\/strong> (Rafael Gil, 1975)<\/p>\n<p style=\"text-align: justify;\"><strong>A la legi\u00f3n le gustan las mujeres (&#8230; y a las mujeres les gusta la legi\u00f3n)<\/strong> (Rafael Gil, 1976)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Buz\u00f3n de sugerencias:<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>Fa yeung nin wa \/ In the Mood for Love<\/strong> (<strong>Deseando amar<\/strong>, Wong Kar-wai, 2000)<\/p>\n<p style=\"text-align: justify;\"><strong>Ed Wood<\/strong> (Tim Burton, 1994)<\/p>\n<p style=\"text-align: justify;\"><strong>Mamma Roma<\/strong> (<strong>Mamma Roma<\/strong>, Pier Paolo Pasolini, 1962)<\/p>\n<p style=\"text-align: justify;\"><strong>Freaks<\/strong> (<strong>La parada de los monstruos<\/strong>, Tod Browning, 1932)<\/p>\n<p style=\"text-align: justify;\"><strong>1-2-3-4 ou Les collants noirs<\/strong> (<strong>Los ballets de Par\u00eds<\/strong>, Terence Young, 1960)<\/p>\n<p style=\"text-align: justify;\"><strong>Mary Poppins<\/strong> (Robert Stevenson, 1964)<\/p>\n<h3 style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong>Cine para todos: Pixar<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><strong>1\u00ba Cortometrajes Pixar: The Adventures of Andr\u00e9 and Wally<\/strong> (<strong>Las aventuras de Andr\u00e9 y Wally, <\/strong>John Lasseter, 1984);\u00a0<strong>Luxo Jr. <\/strong>(John Lasseter, 1986);\u00a0<strong>Red&#8217;s Dream <\/strong>(<strong>El sue\u00f1o de Red, <\/strong>John Lasseter, 1987);\u00a0<strong>Tin<\/strong> <strong>Toy <\/strong>(John Lasseter, 1988). 5&#8242;. <strong>Knick Knack <\/strong>(John Lasseter, 1989);\u00a0<strong>Geri&#8217;s Game <\/strong>(<strong>El<\/strong> <strong>juego de Geri<\/strong>, JanPinkava, 1997);\u00a0<strong>For the Birds <\/strong>(<strong>Pajaritos<\/strong>, RalphEggleston, 2000);\u00a0<strong>Mike&#8217;s New Car <\/strong>(<strong>El coche nuevo de Mike<\/strong>, Peter Docter, 2002);\u00a0<strong>Boundin&#8217;<\/strong> (<strong>Saltando<\/strong>, 2003);\u00a0<strong>One Man Band <\/strong>(<strong>El hombre orquesta<\/strong>, Mark Andrews, Andrew Jim\u00e9nez, 2005);\u00a0<strong>Jack-Jack Attack <\/strong>(<strong>Jack-Jack Ataca<\/strong>, Brad Bird, 2005);\u00a0<strong>Mater and the Ghostlight <\/strong>(<strong>Mater y la luz<\/strong> <strong>fantasma<\/strong>, John Lasseter, Dan Scanlon, 2006);\u00a0<strong>Lifted<\/strong> (<strong>Abducido<\/strong>, Gary Rydstrom, 2006)<\/p>\n<p style=\"text-align: justify;\"><strong>2\u00aa Cortometrajes Pixar: Your Friend the Rat<\/strong> (<strong>Tu amiga la rata<\/strong>,Jim Capobianco, 2007);\u00a0<strong>Presto <\/strong>(Doug Sweetland, 2008);\u00a0<strong>Burn-E <\/strong>(Angus McLane, 2008);\u00a0<strong>Partly Cloudy <\/strong>(<strong>Parcialmente nublado, <\/strong>Peter Sohn, 2009);\u00a0<strong>Doug&#8217;s Special Mission <\/strong>(<strong>La misi\u00f3n espacial de Doug<\/strong>, Ronnie del Carmen, 2009);\u00a0<strong>George and A.J. <\/strong>(<strong>George y A.J., <\/strong>Josh Cooley, 2009);\u00a0<strong>Day and Night <\/strong>(<strong>D\u00eda y noche<\/strong>, TeddyNewton, 2010);\u00a0<strong>Hawaiian Vacation (Vacaciones en Hawai, <\/strong>Gary Rydstrom, 2011);\u00a0<strong>Air Mate<\/strong> (Rob Gibbs, 2011);\u00a0<strong>Small Fry<\/strong> (<strong>Peque\u00f1o Gran Buzz<\/strong>, Angus McLane, 2011);\u00a0<strong>Time Travel Mater <\/strong>(<strong>Mate viaja en<\/strong> <strong>el tiempo<\/strong>, Rob Gibbs, 2012);\u00a0<strong>La luna<\/strong> (Enrico Casarosa, 2012)<\/p>\n<p style=\"text-align: justify;\"><strong>Monsters Inc.<\/strong> (<strong>Monstruos S.A.<\/strong>, Peter Docter, Lee Unkrich, David Silverman, 2001)<\/p>\n<p style=\"text-align: justify;\"><strong>Up<\/strong> (<strong>Up<\/strong>, Pete Docter y Bob Peterson, 2009)<\/p>\n<p style=\"text-align: justify;\"><strong>Ratatouille<\/strong> (<strong>Ratatouille<\/strong>, Brad Bird, 2007)<\/p>\n<p style=\"text-align: justify;\"><strong>WALL-E<\/strong> (<strong>WALL-E: Batall\u00f3n de limpieza<\/strong>, Andrew Stanton, 2008)<\/p>\n<p style=\"text-align: justify;\"><strong>Cars<\/strong> (<strong>Cars<\/strong>, John Lasseter, 2006)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Este mes la Filmoteca Nacional, en sus instalaciones del Cine Dor\u00e9\u00a0en Madrid, ofrecer\u00e1 diferentes t\u00edtulos encuadrados en ocho ciclos<\/p>\n","protected":false},"author":5,"featured_media":572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,6],"tags":[1223],"class_list":["post-562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine-y-tv","category-destacado-de-audiovisuales","tag-agenda-audiovisual"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts\/562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/comments?post=562"}],"version-history":[{"count":8,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts\/562\/revisions"}],"predecessor-version":[{"id":581,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/posts\/562\/revisions\/581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/media\/572"}],"wp:attachment":[{"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/media?parent=562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/categories?post=562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cpaonline.es\/blog\/wp-json\/wp\/v2\/tags?post=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}