{"id":5369,"date":"2017-11-06T00:00:23","date_gmt":"2017-11-05T23:00:23","guid":{"rendered":"https:\/\/www.cpaonline.es\/blog\/?p=5369"},"modified":"2020-03-26T13:43:32","modified_gmt":"2020-03-26T12:43:32","slug":"iluminacion-expresionista-wegener-burton-i","status":"publish","type":"post","link":"https:\/\/www.cpaonline.es\/blog\/direccion-y-guion\/iluminacion-expresionista-wegener-burton-i\/","title":{"rendered":"Iluminaci\u00f3n expresionista: de Wegener a Burton (I)"},"content":{"rendered":"<p align=\"JUSTIFY\"><strong>El expresionismo fue un movimiento de principios del siglo XX<\/strong> que surgi\u00f3 como reacci\u00f3n al naturalismo literario y al impresionismo pict\u00f3rico. Los expresionistas defend\u00edan un arte personal, cercano a la intuici\u00f3n, donde se percib\u00eda la <strong>visi\u00f3n interna del artista<\/strong>. Si del Romanticismo, el Expresionismo recogi\u00f3 la idea de libertad individual y la expresi\u00f3n subjetiva, del Simbolismo, adopt\u00f3 el irracionalismo y los temas prohibidos -lo fant\u00e1stico, lo grotesco, lo sexual y lo on\u00edrico-. A trav\u00e9s de los colores y las formas deformadas, el expresionismo consigui\u00f3 transmitir las emociones del artista. Adem\u00e1s, reflej\u00f3 no s\u00f3lo las circunstancias personales, sino tambi\u00e9n los momentos hist\u00f3ricos de la Alemania anterior a la Primera Guerra Mundial. En definitiva, <strong>mostr\u00f3 el pesimismo de la sociedad alemana<\/strong>, heredera tambi\u00e9n del decadentismo de finales del XIX.<\/p>\n<p align=\"JUSTIFY\">Ahora bien, el <strong>Expresionismo impregn\u00f3 el cine despu\u00e9s de la Primera Guerra Mundial<\/strong>, justo cuando hab\u00eda desaparecido como corriente art\u00edstica. Y es que la distorsi\u00f3n formal tuvo buena acogida en cine: ya fuera a trav\u00e9s de la <strong>deformaci\u00f3n del decorado, la exageraci\u00f3n del maquillaje o la iluminaci\u00f3n contrastada<\/strong>.<\/p>\n<p align=\"JUSTIFY\">Desde la creaci\u00f3n de la UFA (Universum Film Aktien) en 1917, el cine mudo alem\u00e1n vivi\u00f3 uno de sus mejores momentos. Destacaron directores como <strong>Paul Wegener, Friedrich Wilheim Murnau, Robert Wiene, Fritz Lang y Georg Wilhelm Pabst<\/strong>.<\/p>\n<div id=\"attachment_5376\" style=\"width: 354px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/Golem-8.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5376\" class=\" wp-image-5376\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/Golem-8-300x218.jpg\" alt=\"\" width=\"344\" height=\"250\" srcset=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/Golem-8-300x218.jpg 300w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/Golem-8.jpg 628w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/a><p id=\"caption-attachment-5376\" class=\"wp-caption-text\">\u00abEl Golem\u00bb (1920) Paul Wegener<\/p><\/div>\n<div id=\"attachment_5377\" style=\"width: 348px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/golem.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5377\" class=\" wp-image-5377\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/golem-300x240.jpg\" alt=\"\" width=\"338\" height=\"270\" srcset=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/golem-300x240.jpg 300w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/golem.jpg 544w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/a><p id=\"caption-attachment-5377\" class=\"wp-caption-text\">\u00abEl Golem\u00bb (1914), Paul Wegener<\/p><\/div>\n<p align=\"JUSTIFY\">Si nos fijamos en los fotogramas de <em>El Golem<\/em>, veremos como una de las caracter\u00edsticas de la iluminaci\u00f3n fue el claro oscuro. Gracias a esta t\u00e9cnica <strong>se acentuaba el contraste entre luces y sombras<\/strong>, destacando as\u00ed los relieves. Adem\u00e1s, como en el caso de <em>El gabinete del Doctor Caligari<\/em> (1919), esta <strong>iluminaci\u00f3n en claroscuro acentuaba tambi\u00e9n los deformados decorados<\/strong>.<\/p>\n<div id=\"attachment_5379\" style=\"width: 347px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari11.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5379\" class=\" wp-image-5379\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari11-300x168.jpg\" alt=\"\" width=\"337\" height=\"189\" srcset=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari11-300x168.jpg 300w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari11-768x431.jpg 768w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari11-1024x574.jpg 1024w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari11.jpg 1200w\" sizes=\"auto, (max-width: 337px) 100vw, 337px\" \/><\/a><p id=\"caption-attachment-5379\" class=\"wp-caption-text\">\u00abEl gabinete del Doctor Caligari\u00bb (1919), Robert Wiene<\/p><\/div>\n<p align=\"JUSTIFY\">Tambi\u00e9n muy caracter\u00edstico de la iluminaci\u00f3n del cine expresionista alem\u00e1n, fue la <strong>utilizaci\u00f3n simb\u00f3lica de las sombras<\/strong>. \u00c9stas expresaron la deformidad\/monstruosidad de los personajes que, en definitiva, representaban la angustia de la Alemania del ocaso de la Rep\u00fablica de Weimar y del ascenso del nacionalsocialismo.<\/p>\n<div id=\"attachment_5380\" style=\"width: 346px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari_04.jpeg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5380\" class=\" wp-image-5380\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari_04-300x194.jpeg\" alt=\"\" width=\"336\" height=\"217\" srcset=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari_04-300x194.jpeg 300w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari_04-768x497.jpeg 768w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari_04-1024x662.jpeg 1024w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/caligari_04.jpeg 1200w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/a><p id=\"caption-attachment-5380\" class=\"wp-caption-text\">\u00abEl gabinete del Doctor Caligari\u00bb (1919), Robert Wiene<\/p><\/div>\n<div id=\"attachment_5381\" style=\"width: 344px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/nosferatu10.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5381\" class=\" wp-image-5381\" src=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/nosferatu10-300x201.jpg\" alt=\"\" width=\"334\" height=\"224\" srcset=\"https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/nosferatu10-300x201.jpg 300w, https:\/\/www.cpaonline.es\/blog\/wp-content\/uploads\/2017\/10\/nosferatu10.jpg 446w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/a><p id=\"caption-attachment-5381\" class=\"wp-caption-text\">\u00abNosferatu\u00bb (1922) de Friedrich Wilheim Murnau<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El expresionismo cinematogr\u00e1fico alem\u00e1n acentu\u00f3 los decorados deformados, los maquillajes exagerados, as\u00ed como una iluminaci\u00f3n marcada por el claroscuro.<\/p>\n","protected":false},"author":14,"featured_media":5387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[1914,1909,1220,1227,1911],"class_list":["post-5369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-direccion-y-guion","tag-claroscuro","tag-expresionismo-aleman","tag-formacion-audiovisual","tag-iluminacion","tag-sombras"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"El expresionismo cinematogr\u00e1fico alem\u00e1n acentu\u00f3 los decorados deformados, los maquillajes exagerados, as\u00ed como una iluminaci\u00f3n marcada por el claroscuro.\" \/>\n\t<meta name=\"robots\" content=\"max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n\t<meta name=\"author\" content=\"Marina Hoyos\"\/>\n\t<meta name=\"keywords\" 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